Hookah Base

* Nearly 20,000 images of artworks the museum believes to be in the public domain are available to download on this site. Other images may be protected by copyright and other intellectual property rights. By using any of these images you agree to LACMA's Terms of Use.

Hookah Base

India, Uttar Pradesh, Awadh, Lucknow, circa 1700-1750
Tools and Equipment; hookahs
Clear glass with polychrome enamel and gilding
Height: 8 in. (20.32 cm) Diameter: 6 3/4 in. (17.15 cm)
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.76.2.13)
Not currently on public view

Curator Notes

...
This hookah base is emblazoned with a lush lily pond blooming over the surface of the clear glass vessel. Brilliant red, pink, and yellow enamel lotus blossoms atop graceful green and gold stems and light green lily pads and leaves with dark green veins rise from a tubular curled leaf motif that forms a ground line along the bottom of the body. Chevrons and a lotus leaf creeper accent the neck and shoulder, and four flowering lotuses appear on the upper neck. The LACMA hookah base was presumably made in Lucknow, the capital of the Mughal province of Awadh in the present-day state of Uttar Pradesh. Its Lucknow genesis is suggested by the identical stylistic treatment of the lotuses on a flat-bottomed hookah base in the Indian Museum, Calcutta (14051/282), which is recorded as being from Lucknow. Whereas the denseness of the lotuses precludes an attribution to the 17th-century heyday of the Mughal artistic tradition of individual flowering plants, the verticality and repetition of the motifs equally belie their placement within the distinctive corpus of Lucknow’s mature floral decoration that bloomed in the late 18th century. Hence, the vessel can be plausibly attributed on stylistic grounds to the first half of the 18th century, which accords well with parallel depictions of lotuses found in contemporaneous album paintings and an enameled and partially gilded silver betel box from Lucknow in the Victoria and Albert Museum, London (IM.30-1912).
More...

Bibliography

  • Rosenfield, John.  The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection.  Boston:  Museum of Fine Arts, Boston, 1966.
  • Pal, Pratapaditya. The Divine Presence: Asian Sculptures from the Collection of Mr. and Mrs. Harry Lenart. Los Angeles: Los Angeles County Museum of Art, 1978.

  • Rosenfield, John.  The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection.  Boston:  Museum of Fine Arts, Boston, 1966.
  • Pal, Pratapaditya. The Divine Presence: Asian Sculptures from the Collection of Mr. and Mrs. Harry Lenart. Los Angeles: Los Angeles County Museum of Art, 1978.

  • Markel, Stephen.  "Indian and 'Indianate' Glass Vessels in the Los Angeles County Museum of Art."  Journal of Glass Studies 33 (1991):  82-92.
  • Carboni, Stefano and Whitehouse, David.  Glass of the Sultans.  New York: The Metropolitan Museum of Art, 2001.
  • Markel, Stephen & Gude, Tushara Bundu. India's Fabled City. The Art of Courtly Lucknow. Los Angeles County Museum of Art and Del Monico Books- Prestel. Los Angeles, CA. 2010..
More...