This nim qalam (half-pen) lightly tinted drawing depicts the youthful ascetic Rishyashringa at his hermitage. As narrated in the great Indian epics, the Ramayana (Adventures of Rama) and the Mahabharata ([War of the] Great Bharatas), Rishyashringa (having deer antlers) was supernaturally born of a doe and had a small protuberance on his forehead, whence his name. He led a sheltered life in a forest hermitage. One day he was approached by beautiful women sent by King Lomapada in the nearby kingdom of Anga who wished to request his aid in ending a severe drought. Enchanted by their beauty, Rishyashringa accompanied them to Anga, where his presence brought the lifegiving rains to end the drought. Here, Rishyashringa stands outside of his hut watching the women stealthily approach. He holds a long rosary, and his skin is ashen-colored in accordance with the ascetic’s practice of smearing one’s body with cremation ashes. The drawing follows the spatial conventions and elongated figural style of this period of Mughal painting. Note the realistic representation of three-dimensional depth indicated by the women being depicted in front of and behind the trees. Noteworthy also is the naturalistic treatment of the antelope in the foreground, especially the blackbuck, or Indian antelope, with the spiraling horns in the lower left corner. An illustration of this episode with the same composition, attributed to 1597-1605, is in the Freer Gallery of Art, Washington (F1907.271 Folio 19 obv).