Under the leadership of Reza Shah Pahlavi (r. 1925–41), Iran was transformed into a modern nation-state. As part of his reform movement, Reza Shah sought the elimination of the Islamic veil, and in 1936 a law was enacted that decreed the compulsory uncovering of women. These twin works focus on two found images from this period; they capture the first generation of Iranian women who were free to appear without hijab in public and in photographs. The compositions incorporate contemporaneous Persian carpets, which help to fix these young women in time and place, as well as small shards of mirror that allow the viewer reflected in the cut glass to identify more closely with the nameless girls dressed in their once-fashionable clothes.

Samira Alikhanzadeh often references the past as a means of exploring life in present-day Iran, but she generally looks back only as far as the first half of the twentieth century. Old found family photographs and mirrors are common themes in her work. She has participated in solo and group exhibitions in Europe, North America, the Middle East, and especially in Tehran, where she lives and works.