Model Pleasures III

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© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
© Silvia Kolbowski
My gallery Comment Tag Order Photography*
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Model Pleasures III

1983
Photographs
(8) Gelatin silver prints, (4) Dye coupler prints
a-L) Framed: 8 1/4 x 10 x 3/4 in. (20.96 x 25.4 x 1.91 cm) each
Purchased with funds provided by the Ralph M. Parsons Fund (M.2009.22a-L)
Photography
Not currently on public view

Bibliography

  • Burton, Johanna and Anne Ellegood. 2014. Take it or Leave it: Institution, Image, Ideology. Los Angeles: Hammer Museum.
  • Morse, Rebecca. Objects of Desire: Photography and the Language of Advertising. Los Angeles: Los Angeles County Museum of Art, 2022.
  • Burton, Johanna and Anne Ellegood. 2014. Take it or Leave it: Institution, Image, Ideology. Los Angeles: Hammer Museum.
  • Morse, Rebecca. Objects of Desire: Photography and the Language of Advertising. Los Angeles: Los Angeles County Museum of Art, 2022.
  • Molesworth, Helen. This Will Have Been: Art, Love, and Politics in the 1980s. Chicago: Museum of Contemporary Art Chicago; New Haven, Conn.: In association with Yale University Press, 2012.
  • Shaked, Nizan. The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art. Manchester: Manchester University Press, 2017.
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