Kumbha Ragaputra, Eighth Son of Shri Raga, Folio from a Ragamala (Garland of Melodies)

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Kumbha Ragaputra, Eighth Son of Shri Raga, Folio from a Ragamala (Garland of Melodies)

India, Jammu and Kashmir, Bahu or Himachal Pradesh, Kulu, circa 1700-1710
Drawings
Ink on paper
7 3/4 x 7 1/4 in. (19.69 x 18.41 cm)
Gift of Paul F. Walter (M.76.149.6)
Not currently on public view

Curator Notes

The Dogri inscription in the header identifies the melody by the variant spelling of “Kubha Ragaputra, son of Shri Raga.” Kumbha (or Kubha) Ragaputra is the eighth son of Shri Raga in the variant raga...
The Dogri inscription in the header identifies the melody by the variant spelling of “Kubha Ragaputra, son of Shri Raga.” Kumbha (or Kubha) Ragaputra is the eighth son of Shri Raga in the variant ragamala (garland of melodies) classification system known as Meshakarna’s system (developed by Meshakarna, a court priest from Rewa, Madhya Pradesh, in his Ragamala of 1570), which was typically followed in Pahari ragamalas. Meshakarna’s system has six males (ragas), each of whom who has five or six wives (raginis) and eight or nine sons (ragaputras). The melodies are also compared to a sound in nature or a human activity. Kumbha Ragaputra is likened to the sound of water streaming from a jug. It is envisioned as a crowned prince with a golden pot (kumbha). In this and commonly in other Pahari ragamalas, however, the melody is personified as a village woman drawing water from a well with a pot for a nobleman. For example, see a Kumbha Ragaputra attributed to Bahu (formerly to Kulu), circa 1710 in the Victoria and Albert Museum, London (IS.70-1953).
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Bibliography

  • Pal, Pratapaditya and Catherine Glynn.  The Sensuous Line:  Indian Drawings from the Paul F. Walter Collection.  Los Angeles:  Los Angeles County Museum of Art, 1976.