Skin Graft

© Otto Dix Estate / Artists Rights Society (ARS) New York / VG Bild-Kunst, Bonn
My gallery Comment Tag Order Photography*
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Skin Graft

Alternate Title: Transplantation
Portfolio (orig. lang.): Der Krieg
Portfolio (translation): War

Germany, 1924
Prints; intaglio
Etching, aquatint, and drypoint on laid paper
Plate: 7 13/16 × 5 7/8 in. (19.84 × 14.92 cm) Sheet: 18 1/2 × 13 7/8 in. (46.99 × 35.24 cm)
The Robert Gore Rifkind Center for German Expressionist Studies (M.82.288.54j)
Rifkind Center for German Expressionist Studies
Not currently on public view

Bibliography

  • Josenhans, Frauke V. Artists in Exile: Expressions of Loss and Hope. New Haven: Yale University Art Gallery, 2017.
  • Benson, Timothy O. Imagined Fronts: The Great War and Global Media. Los Angeles: Los Angeles County Museum of Art, 2023.
  • Josenhans, Frauke V. Artists in Exile: Expressions of Loss and Hope. New Haven: Yale University Art Gallery, 2017.
  • Benson, Timothy O. Imagined Fronts: The Great War and Global Media. Los Angeles: Los Angeles County Museum of Art, 2023.
  • Karsch, Florian. Otto Dix: das graphische Werk. Hrsg. von Florian Karsch. Eingeleitet von Hans Kinkel. Hannover: Schmidt-Küster, c. 1970

  • Barron, Stephanie et al., German Expressionism 1915-1925: The Second Generation. Los Angeles: Los Angeles County Museum of Art, 1988.

    View this publication in LACMA's Reading Room

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

    View Volume 1 of this publication in LACMA's Reading Room

    View Volume 2 of this publication in LACMA's Reading Room

  • Barron, Stephanie et al. Degenerate Art: The Fate of the Avant-Garde in Nazi Germany. Los Angeles: Los Angeles County Museum of Art, 1991.

    View this publication in LACMA's Reading Room

  • McGreevy, Linda F.  Bitter Witness: Otto Dix and the Great War.  New York: Peter Lang, Inc., 2001.

  • Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.


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