Lens Being Bombed

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Lens Being Bombed

Alternate Title: Lens wird mit Bomben belegt
Portfolio (orig. lang.): Der Krieg
Portfolio (translation): War
Germany, 1924
Prints; intaglio
Etching and drypoint on laid paper
Plate: 11 3/4 x 9 11/16 in. (29.85 x 24.61 cm) Sheet: 18 11/16 x 13 7/8 in. (47.47 x 35.24 cm); Framed: 23 1/2 x 29 1/2 in. (59.69 x 74.93 cm)
The Robert Gore Rifkind Center for German Expressionist Studies (M.82.288.54c)
Not currently on public view

Bibliography

  • Benson, Timothy O. Imagined Fronts: The Great War and Global Media. Los Angeles: Los Angeles County Museum of Art, 2023.
  • Karsch, Florian. Otto Dix: das graphische Werk. Hrsg. von Florian Karsch. Eingeleitet von Hans Kinkel. Hannover: Schmidt-Küster, c. 1970
  • Benson, Timothy O. Imagined Fronts: The Great War and Global Media. Los Angeles: Los Angeles County Museum of Art, 2023.
  • Karsch, Florian. Otto Dix: das graphische Werk. Hrsg. von Florian Karsch. Eingeleitet von Hans Kinkel. Hannover: Schmidt-Küster, c. 1970
  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

    View Volume 1 of this publication in LACMA's Reading Room

    View Volume 2 of this publication in LACMA's Reading Room

  • Benson, Timothy O., et al. Expressionist Utopias: Paradise, Metropolis, Architectural Fantasy. Los Angeles: Los Angeles County Museum of Art, 1993.

    View this publication in LACMA's Reading Room

  • McGreevy, Linda F.  Bitter Witness: Otto Dix and the Great War.  New York: Peter Lang, Inc., 2001.
  • Papanikolas, Theresa.  Doctrinal Nourishment:  Art and Anarchism in the Time of James Ensor.  Los Angeles:  Los Angeles County Museum of Art, 2009.
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