Wounded Man (Autumn 1916, Bapaume)

© Otto Dix Estate / Artists Rights Society (ARS) New York / VG Bild-Kunst, Bonn
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Wounded Man (Autumn 1916, Bapaume)

Alternate Title: Verwundeter (Herbst 1916, Bapaume)
Portfolio (orig. lang.): Der Krieg
Portfolio (translation): War

Germany, 1924
Prints; intaglio
Etching and aquatint on laid paper
Plate: 7 3/4 × 11 3/8 in. (19.69 × 28.89 cm) Sheet: 13 7/8 × 18 11/16 in. (35.24 × 47.47 cm)
The Robert Gore Rifkind Center for German Expressionist Studies (M.82.288.51f)
Rifkind Center for German Expressionist Studies
Not currently on public view

Bibliography

  • Karsch, Florian. Otto Dix: das graphische Werk. Hrsg. von Florian Karsch. Eingeleitet von Hans Kinkel. Hannover: Schmidt-Küster, c. 1970
  • Chipp, Herschel B. and Karin Breuer.  The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation.  Berkeley: University Art Museum, Berkeley, 1981.
  • Karsch, Florian. Otto Dix: das graphische Werk. Hrsg. von Florian Karsch. Eingeleitet von Hans Kinkel. Hannover: Schmidt-Küster, c. 1970
  • Chipp, Herschel B. and Karin Breuer.  The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation.  Berkeley: University Art Museum, Berkeley, 1981.
  • Rigby, Ida Katherine. An alle Künstler! : War-Revolution-Weimar : German Expressionist Prints, Drawings, Posters and Periodicals from the Robert Gore Rifkind Foundation.  San Diego : San Diego State University Press, 1983.

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

    View Volume 1 of this publication in LACMA's Reading Room

    View Volume 2 of this publication in LACMA's Reading Room

  • Barron, Stephanie et al. Degenerate Art: The Fate of the Avant-Garde in Nazi Germany. Los Angeles: Los Angeles County Museum of Art, 1991.

    View this publication in LACMA's Reading Room

  • McGreevy, Linda F.  Bitter Witness: Otto Dix and the Great War.  New York: Peter Lang, Inc., 2001.
  • Prelinger, Elizabeth.  After The Scream: The Late Paintings of Edvard Munch.  Atlanta: The High Museum and New Haven and London: Yale University Press, 2001.

  • Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.


  • Benson, Timothy O. and Andrea Gyorody. A New Generation of Creators: Selections from The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles: Los Angeles County Museum of Art, 2017.
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