Mother

Woodcuts
© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
My gallery Comment Tag Order Photography*
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Mother

Alternate Title: Mutter
Edition: From the edition of 75
Portfolio (orig. lang.): Zehn Holzschnitte von Schmidt-Rottluff
Portfolio (translation): Two Woodcuts by Schmidt-Rottluff)

Germany, 1916
Prints; woodcuts
Woodcut on laid paper
Image: 14 5/8 x 12 3/16 in. (37.15 x 30.96 cm) irregular; Sheet: 24 1/4 x 20 3/16 in. (61.6 x 51.28 cm)
The Robert Gore Rifkind Center for German Expressionist Studies (M.82.288.265)
Rifkind Center for German Expressionist Studies
Not currently on public view

Bibliography

  • Schapire, Rosa. Karl Schmidt-Rottluffs graphisches Werk bis 1923. Berlin: Euphorion Verlag, 1924.
  • Reed, Orrel P., German expressionist art:  the Robert Gore Rifkind Collection:  prints, drawings, illustrated books, periodicals, posters. Exhibition Catalogue. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977.
  • Schapire, Rosa. Karl Schmidt-Rottluffs graphisches Werk bis 1923. Berlin: Euphorion Verlag, 1924.
  • Reed, Orrel P., German expressionist art:  the Robert Gore Rifkind Collection:  prints, drawings, illustrated books, periodicals, posters. Exhibition Catalogue. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977.

  • Thiem, Gunther. Prints by Erich Heckel and Karl Schmidt-Rottluff:  A Centenary Celebration.  Los Angeles County Museum of Art:  Los Angeles, 1985.

    View this publication in LACMA's Reading Room

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

    View Volume 1 of this publication in LACMA's Reading Room

    View Volume 2 of this publication in LACMA's Reading Room

  • Barron, Stephanie et al. Degenerate Art: The Fate of the Avant-Garde in Nazi Germany. Los Angeles: Los Angeles County Museum of Art, 1991.

    View this publication in LACMA's Reading Room

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