Girl from Kaunas

Woodcuts
© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
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Girl from Kaunas

Alternate Title: Mädchen aus Kowno
Edition: From edition of 75
Portfolio (orig. lang.): Zehn Holzschnitte von Schmidt-Rottluff
Portfolio (translation): Ten Woodcuts by Schmidt-Rottluff

Germany, 1918, published 1919
Prints; woodcuts
Woodcut on Van Gelder Zonen paper
Image: 19 5/8 x 15 3/8 in. (49.85 x 39.05 cm); Sheet: 24 3/8 x 20 in. (61.91 x 50.8 cm)
The Robert Gore Rifkind Center for German Expressionist Studies (M.82.288.267)
Rifkind Center for German Expressionist Studies
Not currently on public view

Bibliography

  • Schapire, Rosa. Karl Schmidt-Rottluffs graphisches Werk bis 1923. Berlin: Euphorion Verlag, 1924.
  • Reed, Orrel P., German expressionist art:  the Robert Gore Rifkind Collection:  prints, drawings, illustrated books, periodicals, posters. Exhibition Catalogue. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977.
  • Schapire, Rosa. Karl Schmidt-Rottluffs graphisches Werk bis 1923. Berlin: Euphorion Verlag, 1924.
  • Reed, Orrel P., German expressionist art:  the Robert Gore Rifkind Collection:  prints, drawings, illustrated books, periodicals, posters. Exhibition Catalogue. Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977.
  • Chipp, Herschel B. and Karin Breuer.  The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation.  Berkeley: University Art Museum, Berkeley, 1981.

  • Thiem, Gunther. Prints by Erich Heckel and Karl Schmidt-Rottluff:  A Centenary Celebration.  Los Angeles County Museum of Art:  Los Angeles, 1985.

    View this publication in LACMA's Reading Room

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

    View Volume 1 of this publication in LACMA's Reading Room

    View Volume 2 of this publication in LACMA's Reading Room

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