Leg guard (greave) (one of two)

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Leg guard (greave) (one of two)

Iran, 15th century
Arms and Armor
Steel with silver inlay and traces of gilding
17 1/2 x 4 13/16 in. (44.45 x 12.22 cm)
The Nasli M. Heeramaneck Collection, gift of Joan Palevsky (M.73.5.729.7)
Art of the Middle East: Islamic and Contemporary
Not currently on public view

Curator Notes

This leg guard and a second example (M.73.5.729.8, not a matched pair) were worn only by a horseman as they protected just the outer sides of his legs; the inner sides would have been pressed against ...
This leg guard and a second example (M.73.5.729.8, not a matched pair) were worn only by a horseman as they protected just the outer sides of his legs; the inner sides would have been pressed against his steed. The inscriptions on both include incomplete and anonymous titulature. Related elements of armor likely made in northwestern Iran in the late fifteenth century include a shirt of mail and plate (M.73.5.729.1) and a helmet (M.73.5.323). It is not possible to know if the elements were ever used together.
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Bibliography

  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

  • Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.

  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

  • Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.
  • Çakir Phillip, Filiz. "A Reflection on Armour of Then and Now." In Iranian Art from the Sasanians to the Islamic Republic: Essays in Honour of Linda Komaroff, edited by Sheila S. Blair, Jonathan M. Bloom and Sandra S. Williams. Edinburgh University Press, 2024.
  • Pal, Pratapaditya, ed.  Islamic Art:  The Nasli M. Heeramaneck Collection.  Los Angeles:  Museum Associates, 1973.
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