Winter Hunt

© Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
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Winter Hunt

United States, 1958
Paintings
Oil on canvas
91 × 46 in. (231.14 × 116.84 cm)
Gift of Mr. David Geffen (M.85.157)
Modern Art
Currently on public view:
Broad Contemporary Art Museum, floor 3

Since gallery displays may change often, please contact us before you visit to make certain this item is on view.

Label

In the 1950s, Helen Frankenthaler was among the first women artists working in the emerging Abstract Expressionist movement, along with Elaine de Kooning, Grace Hartigan, Lee Krasner, and Joan Mitchel...
In the 1950s, Helen Frankenthaler was among the first women artists working in the emerging Abstract Expressionist movement, along with Elaine de Kooning, Grace Hartigan, Lee Krasner, and Joan Mitchell. Frankenthaler became known for pouring paint directly onto raw, untreated canvases. Her soak-stain technique was popular among artists who considered the complexity of color to be more important than the gestural action painting of Jackson Pollock and other members of the New York School. In Winter Hunt, Frankenthaler allowed the paint to pool and soak into her unprimed canvas, while leaving the top of the painting free of color, creating a counterpoint to the rich stains below.

Wall label, 2021.
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Bibliography

  • Frankenthaler: the 1950s. Waltham, Mass.: Rose Art Museum, 1981.

  • Goosen, E.C. Helen Frankenthaler. New York: Whitney Museum of American Art, 1969.

  • Rose, Barbara. Frankenthaler. New York: Harry N. Abrams, Inc., 1971.
  • Frankenthaler: the 1950s. Waltham, Mass.: Rose Art Museum, 1981.

  • Goosen, E.C. Helen Frankenthaler. New York: Whitney Museum of American Art, 1969.

  • Rose, Barbara. Frankenthaler. New York: Harry N. Abrams, Inc., 1971.
  • Painted on 21st Street: Helen Frankenthaler from 1950 to 1959. New York: Gagosian Gallery, 2013.
  • Elderfield, John. Frankenthaler. New York: Harry N. Abrams, Inc., 1989.
  • The New York School, 1940-1960: The First Generation of Abstract Expressionism. Reno, Nevada: Sierra Nevada Museum of Art, 1979.
  • Powell III, Earl A., Robert Winter, and Stephanie Barron. The Robert O. Anderson Building. Los Angeles: Los Angeles County Museum of Art, 1986.
  • Carmean, E.A.  Helen Frankenthaler: A Paintings Retrospective.  New York: Harry N. Abrams, Inc., 1989.
  • Los Angeles County Museum of Art Members' Calendar 1990.  vol. 27-28, no. 12-1 (December, 1989-January, 1991).

  • King, Jennifer, ed. Vera Lutter: Museum in the Camera. Los Angeles: Los Angeles County Museum of Art; Munich: DelMonico Books-Prestel, 2020.

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