Railing Pillar with Woman and Onlookers

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Railing Pillar with Woman and Onlookers

India, Uttar Pradesh, Mathura, circa 50-25 BCE
Sculpture
Mottled red sandstone
21 x 9 1/2 x 6 in. (53.34 x 24.13 x 15.24 cm)
From the Nasli and Alice Heeramaneck Collection, purchased with funds provided by Mr. and Mrs. Allan C. Balch (M.85.2.2)
Not currently on public view

Curator Notes

This richly carved pillar originally formed part of an enclosure railing that demarcated a sacred site at Mathura, an important religious and artistic center in northern India....
This richly carved pillar originally formed part of an enclosure railing that demarcated a sacred site at Mathura, an important religious and artistic center in northern India. The exteriors of the sanctified monuments of the indigenous religions of ancient India were often adorned with sensuous imagery to connote prosperity and the abundance of the natural world. The voluptuous woman exemplifies the Indian ideal of feminine beauty in the form of a young mother. She is depicted beneath a blossoming bakula tree (Mimusops elengi), which not only underscores the notions of nature’s fertility implicit in the sculpture but is also associated with the fluted wine cup held by the woman because it is believed that the tree will flower when a woman sprays it with wine from her mouth. At the top of the pillar, in a balcony beneath an arched roof supported by pillars with lion capitals, are two admiring onlookers. The woman on the left holds her finger in front of her mouth in a variant gesture of amazement (vismaya mudra).
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Bibliography

  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.

  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.

  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.
  • Rosenfield, John.  The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection.  Boston:  Museum of Fine Arts, Boston, 1966.
  • Meister, M. W.  "The Arts of India and Nepal."  Oriental Art 14 (2): 109 (1968).
  • Glynn, Catherine. Aspects of Asian Art from the Los Angeles County Museum of Art. University of Redlands, 1972.
  • Pal, Pratapaditya.  The Sacred and Secular in Indian Art.  Santa Barbara, CA:  University of California, 1974.
  • Trabold, J. The Art of India, An Historical Profile.  Northridge, CA:  California State University Press, 1975.
  • Pal, Pratapaditya. Indian Sculpture, vol.1. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1986.
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