Durga Slaying the Buffalo Demon

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Durga Slaying the Buffalo Demon

India, Rajasthan, Kota region, Atru (?), circa 850-900
Sculpture
Red sandstone
34 x 25 x 9 1/2 in. (86.36 x 63.5 x 24.13 cm)
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.77.19.27)
Not currently on public view

Curator Notes

The Hindu goddess Durga (Unconquerable) is the terrific aspect of Shiva’s spouse, Uma....
The Hindu goddess Durga (Unconquerable) is the terrific aspect of Shiva’s spouse, Uma. She is the invincible goddess of the battlefield and plays a vital role in the eternal struggle between order and chaos. Durga is one of the most widely worship deities of Hinduism, being especially invoked by the warrior classes. Although she can assume many guises, the most popular and the form most encountered in art, is that of the slayer of the buffalo demon, Mahishasura. When the gods were unable to conquer the powerful demon, Durga was created from the energy of their combined anger to fight for them in their hour of extreme need. Each god gave her a portion of his powers, and she wields various weapons in her multiple arms, including the trident of Shiva, the discus of Vishnu, and the spear of Karttikeya. Durga’s many triumphal battles to preserve world order are exalted in the Devimahatmya (Glory of the Goddess) composed in circa 550 CE. In this stark 9th-century western Indian image, the act of slaying the demon is given the main emphasis. The medium of the stone is subverted to the message of the religious meaning and the spiritual power of the image is conveyed through the powerfully direct forms and relative lack of surface embellishment. By comparison, in an elaborate 12th-century southern Indian representation (M.70.1.1), the medium is the message. Its lavish ornamentation and richness of detail aptly convey the spiritual glory of the triumphant goddess. See also M.70.1.1.
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Bibliography

  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.

  • Rosenfield, John.  The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection.  Boston:  Museum of Fine Arts, Boston, 1966.
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.

  • Rosenfield, John.  The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection.  Boston:  Museum of Fine Arts, Boston, 1966.
  • Newman, Richard.  The Stone Sculpture of India: a Study of the Materials Used by Indian Sculptors from ca. 2nd Century B.C. to the 16th Century.  Cambridge, MA:  Center for Conservation and Technical Studies, Harvard University Art Museums, 1984.
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.
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