Injustice Case

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Injustice Case

United States, 1970
Prints; collages
Body print and American flag
Sheet: 63 x 40 1/2 in. (160.02 x 102.87 cm) Framed: 69 × 47 1/4 × 2 1/4 in. (175.26 × 120.02 × 5.72 cm)
Museum Acquisition Fund (M.71.7)
Not currently on public view

Bibliography

  • Arnason, H.H., and Marla F. Prather. History of Modern Art: Painting, Sculpture, Architecture, Photography. New York: Harry N. Abrams, 1998.

  • David Hammons: Five Decades. New York: Mnuchin Gallery, 2016.
  • Arnason, H.H., and Marla F. Prather. History of Modern Art: Painting, Sculpture, Architecture, Photography. New York: Harry N. Abrams, 1998.

  • David Hammons: Five Decades. New York: Mnuchin Gallery, 2016.
  • Doss, Erika. American Art of the 20th-21st Centuries. New York: Oxford University Press, 2017.
  • Oehler, Sarah Kelly, and Esther Adler, editors. Charles White: a Retrospective. Chicago: Art Institute of Chicage, 2018.
  • Kim, Christine Y., and Myrtle Elizabeth Andrews, editors. Black American Portraits: From the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books-D.A.P., 2023.
  • David Hammons: Selected Works 1968-1974.  Los Angeles, Calif.: California State University, Los Angeles, 1974.
  • Davis, Bruce and Ebria Feinblatt.  Los Angeles Prints:  1883-1980.  Los Angeles:  Los Angeles County Museum of Art, 1980.
  • Butler, Jerry.  A Drawing in the Sand: The Story of African American Art.  Zino Press Children's Books, 1998.
  • Barron, Stephanie, S. Bernstein and I. S. Fort, with essays by Stephanie Barron, Sherri Bernstein, M. Dear, Howard N. Fox and Richard Rodriguez.  Made in California: Art, Image, and Identity, 1900-2000.  Los Angeles:  Los Angeles County Museum of Art and Berkeley:  University of California Press, Berkeley, 2000.

    View this publication in LACMA's Reading Room

  • The California pop-up book. New York: Universe Pub. in association with the Los Angeles County Museum of Art, 2000.
  • Haskell, Barbara and Phillips, Lisa.  The American Century: Art and Culture 1900-2000.  The Whitney Museum of American Art and W.W. Norton & Company, 2000.
  • Chinn, Sarah.  Technology and the Logic of American Racism: A Cultural History of the Body As Evidence.  Continuum Publishing Group, 2000.
  • Doss, Erika.  Oxford History of Art: Twentieth-Century American Art.  Oxford: Oxford University Press, 2002.
  • Kamps, Toby and Steve Seid. 2012. Silence. Houston: Menil Foundation. 
  • Bindman, David and Henry Louis Gates, Jr., general eds. The Image of the Black in Western Art, vol. 5, pt. 1. Cambridge, Mass.: Belknap Press of Harvard University Press; In collaboration with the W. E. B. Du Bois Institute for African and African American Research; Houston: Menil Collection, 2014.
  • Godfrey, Mark and Zoé Whitley. Soul of a Nation: Art in the Age of Black Power. London: Tate Publishing, 2017.
  • Shaked, Nizan. The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art. Manchester: Manchester University Press, 2017.
  • Ho, Melissa, Thomas Crow, Erica Levin, Katherine Markoski, Mignon Nixon, and Martha Rosler. Artists Respond: American Art and the Vietnam War, 1965-1975. Washington, D.C.: Smithsonian American Art Museum, in association with Princeton University Press, 2019.
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