Thunderbolt (Vajra; Tibetan: Dorje)

* Nearly 20,000 images of artworks the museum believes to be in the public domain are available to download on this site. Other images may be protected by copyright and other intellectual property rights. By using any of these images you agree to LACMA's Terms of Use.

Thunderbolt (Vajra; Tibetan: Dorje)

Central Tibet, circa 18th century
Tools and Equipment
Gilt copper alloy
1 7/8 x 5 x 1 7/8 in. (4.77 x 12.7 x 4.77 cm)
Southern Asian Art Council (M.2001.158.1)
Not currently on public view

Curator Notes

A wide range of ritual objects are used in the myriad Vajrayana Buddhist ceremonies performed to propitiate deities for obtaining boons and mundane blessings, to ensure good weather for agricultural b...
A wide range of ritual objects are used in the myriad Vajrayana Buddhist ceremonies performed to propitiate deities for obtaining boons and mundane blessings, to ensure good weather for agricultural bounty, to exorcise demons and avert calamities, and to overcome negative spiritual forces hindering enlightenment. The sacramental implements include thunderbolts (vajra or dorje), priest’s bells (ghanta), flaying knives, ascetic’s staffs, and mirrors; water ewers and vases, butter lamps, skull cups, conch shells, and other vessels; and musical instruments, especially drums, horns, trumpets, and hand cymbals. Perhaps the two most important ceremonial objects are the thunderbolt and the priest’s bell. The thunderbolt symbolizes the adamantine or unchanging nature of eternity and the male component of compassion. The bell represents the female aspect of wisdom. The pairing of the thunderbolt and bell embodies the enlightened state of compassion and wisdom achieved through the perfect union of the male and female principles. The thunderbolt’s longitudinal shaft symbolizes the cosmic pillar or axis mundi. The middle has a ring molding abutted by lotus pedestals. The ends are identical but are understood as symbolizing the male and female aspects. Each end has five prongs (four blades issuing from a mythical aquatic monster (makara) and the central axis), which represent the five Jina Buddhas and their respective transcendental insights. See the paired bell (M.2001.158.2).
More...

Bibliography

  • Huntington, John C. and Dina Bangdel.  The Circle of Bliss:  Buddhist Meditational Art.  Columbus:  The Columbus Museum of Art; Chicago:  Serindia Publications, 2003.
  • Wang, Michelle C. Mandalas in the Making: The Visual Culture of Esoteric Buddhism at Dunhuang. Leiden; Boston: Brill, 2018.

Exhibition history

  • Ritual Offerings in Tibetan Art Los Angeles, CA, Los Angeles County Museum of Art, September 13, 2014 - October 25, 2015