Adam and Eve (Adam und Eva)

© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
My gallery Comment Tag Order Photography*
View comments
No comments have been posted yet.
Add a comment
Please log in to add comments.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
Current tags
This item has not been tagged yet.
Please log in to add tags.
Enter your LACMA Collections username.
Enter the password that accompanies your username.
New to our collections website? Sign up to create an account and start saving your favorites. Please note that this account is not the same as the MyLACMA account you may have for ticketing and membership transactions.
* Nearly 20,000 images of artworks the museum believes to be in the public domain are available to download on this site. Other images may be protected by copyright and other intellectual property rights. By using any of these images you agree to LACMA's Terms of Use.

Adam and Eve (Adam und Eva)

Edition: From edition of 5 executed at the Roman Foundry, New York; cast from the original plaster that Beckmann brought to the US in 1947

Germany, 1936, cast after 1950
Sculpture
Bronze
33 1/2 × 13 1/8 × 14 1/2 in. (85.09 × 33.34 × 36.83 cm)
Gift of Robert Gore Rifkind (AC1999.16.1)
Modern Art
Currently on public view:
Broad Contemporary Art Museum, floor 3

Since gallery displays may change often, please contact us before you visit to make certain this item is on view.

Label

Adam and Eve, a meditation on sin, free will, and the origins of suffering, reflects Max Beckmann’s interest in biblical subjects as well as the artist’s own threatened circumstances in Nazi Ge...
Adam and Eve, a meditation on sin, free will, and the origins of suffering, reflects Max Beckmann’s interest in biblical subjects as well as the artist’s own threatened circumstances in Nazi Germany. In Beckmann’s depiction, Adam is immobilized by the snake while Eve is curled against his chest, referencing her “birth” from one of Adam’s ribs. Beckmann, dismissed from his teaching post in Frankfurt by the Nazis in 1933, would flee to Amsterdam in 1937. His sculptures, eight in total, were cast in bronze and editioned after the artist’s death in 1950.

Wall label, 2021.
More...