The Barker (Self-Portrait)

© Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
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The Barker (Self-Portrait)

Alternate Title: Der Ausrufer (Selbstbildnis)
Edition: 12/125 (total edition 200)
Portfolio (orig. lang.): Der Jahrmarkt
Portfolio (translation): The annual fair
Plate: plate 1

Germany, 1921
Prints
Drypoint on handmade paper
Plate: 13 1/4 x 10 3/16 in. (33.66 x 25.88 cm); Sheet: 20 5/8 x 14 7/8 in. (52.39 x 37.78 cm)
The Robert Gore Rifkind Center for German Expressionist Studies (M.82.288.19a)
Rifkind Center for German Expressionist Studies
Not currently on public view

Bibliography

  • Gallwitz, Klaus.  Die Druckgraphik: Radierungen, Lithographien, Holzschnitte.  Katalogbearbeitung und Gesamtredaktion, Klaus Gallwitz. Hrsg. vom Badischer Kunstverein.  Karlsruhe: Badischer Kunstverein, 1962.
  • Gallwitz, Klaus.  Die Druckgraphik: Radierungen, Lithographien, Holzschnitte.  Katalogbearbeitung und Gesamtredaktion, Klaus Gallwitz. Hrsg. vom Badischer Kunstverein.  Karlsruhe: Badischer Kunstverein, 1962.
  • Chipp, Herschel B. and Karin Breuer.  The Human Image in German Expressionist Graphic Art From the Robert Gore Rifkind Foundation.  Berkeley: University Art Museum, Berkeley, 1981.

  • Davis, Bruce. German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies. Los Angeles, CA: Los Angeles County Museum of Art, 1989; Munich, Germany: Prestel, 1989.

    View Volume 1 of this publication in LACMA's Reading Room

    View Volume 2 of this publication in LACMA's Reading Room

  • Barron, Stephanie, and Sabine Eckmann. New Objectivity: Modern German Art in the Weimar Republic, 1919–1933. Los Angeles: Los Angeles County Museum of Art and DelMonico Books/Prestel, 2015.


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